The Wandering Jew
Chapter 46 : Old grayish paper, broken here and there by the cracks covered the crazy wall, against

Old grayish paper, broken here and there by the cracks covered the crazy wall, against which rested the bed; scanty curtains, running upon an iron rod, concealed the windows; the brick floor, not polished, but often washed, had preserved its natural color. At one end of this room was a round iron stove, with a large pot for culinary purposes. On the wooden table, painted yellow, marbled with brown, stood a miniature house made of iron--a masterpiece of patience and skill, the work of Agricola Baudoin, Dagobert's son.

A plaster crucifix hung up against the wall, surrounded by several branches of consecrated box-tree, and various images of saints, very coa.r.s.ely colored, bore witness to the habits of the soldier's wife.

Between the windows stood one of those old walnut-wood presses, curiously fas.h.i.+oned, and almost black with time; an old arm-chair, covered with green cotton velvet (Agricola's first present to his mother), a few rush bottomed chairs, and a worktable on which lay several bags of coa.r.s.e, brown cloth, completed the furniture of this room, badly secured by a worm-eaten door. The adjoining closet contained a few kitchen and household utensils.

Mean and poor as this interior may perhaps appear, it would not seem so to the greater number of artisans; for the bed was supplied with two mattresses, clean sheets, and a warm counterpane; the old-fas.h.i.+oned press contained linen; and, moreover, Dagobert's wife occupied all to herself a room as large as those in which numerous families, belonging to honest and laborious workmen, often live and sleep huddled together--only too happy if the boys and girls can have separate beds, or if the sheets and blankets are not pledged at the p.a.w.nbroker's.

Frances Baudoin, seated beside the small stove, which, in the cold and damp weather, yielded but little warmth, was busied in preparing her son Agricola's evening meal.

Dagobert's wife was about fifty years of age; she wore a close jacket of blue cotton, with white flowers on it, and a stuff petticoat; a white handkerchief was tied round her head, and fastened under the chin. Her countenance was pale and meagre, the features regular, and expressive of resignation and great kindness. It would have been difficult to find a better, a more courageous mother. With no resource but her labor, she had succeeded, by unwearied energy, in bringing up not only her own son Agricola, but also Gabriel, the poor deserted child, of whom, with admirable devotion, she had ventured to take charge.

In her youth, she had, as it were, antic.i.p.ated the strength of later life, by twelve years of incessant toil, rendered lucrative by the most violent exertions, and accompanied by such privations as made it almost suicidal. Then (for it was a time of splendid wages, compared to the present), by sleepless nights and constant labor, she contrived to earn about two s.h.i.+llings (fifty sous) a day, and with this she managed to educate her son and her adopted child.

At the end of these twelve years, her health was ruined, and her strength nearly exhausted; but, at all events, her boys had wanted for nothing, and had received such an education as children of the people can obtain. About this time, M. Francois Hardy took Agricola as an apprentice, and Gabriel prepared to enter the priest's seminary, under the active patronage of M. Rodin, whose communications with the confessor of Frances Baudoin had become very frequent about the year 1820.

This woman (whose piety had always been excessive) was one of those simple natures, endowed with extreme goodness, whose self-denial approaches to heroism, and who devote themselves in obscurity to a life of martyrdom--pure and heavenly minds, in whom the instincts of the heart supply the place of the intellect!

The only defect, or rather the necessary consequence of this extreme simplicity of character, was the invincible determination she displayed in yielding to the commands of her confessor, to whose influence she had now for many years been accustomed to submit. She regarded this influence as most venerable and sacred; no mortal power, no human consideration, could have prevented her from obeying it. Did any dispute arise on the subject, nothing could move her on this point; she opposed to every argument a resistance entirely free from pa.s.sion--mild as her disposition, calm as her conscience--but, like the latter, not to be shaken. In a word, Frances Baudoin was one of those pure, but uninstructed and credulous beings, who may sometimes, in skillful and dangerous hands, become, without knowing it, the instruments of much evil.

For some time past, the bad state of her health, and particularly the increasing weakness of her sight, had condemned her to a forced repose; unable to work more than two or three hours a day, she consumed the rest of her time at church.

Frances rose from her seat, pushed the coa.r.s.e bags at which she had been working to the further end of the table, and proceeded to lay the cloth for her son's supper, with maternal care and solicitude. She took from the press a small leathern bag, containing an old silver cup, very much battered, and a fork and spoon, so worn and thin, that the latter cut like a knife. These, her only plate (the wedding present of Dagobert) she rubbed and polished as well as she was able, and laid by the side of her son's plate. They were the most precious of her possessions, not so much for what little intrinsic value might attach to them, as for the a.s.sociations they recalled; and she had often shed bitter tears, when, under the pressure of illness or want of employment, she had been compelled to carry these sacred treasures to the p.a.w.nbroker's.

Frances next took, from the lower shelf of the press, a bottle of water, and one of wine about three-quarters full, which she also placed near her son's plate; she then returned to the stove, to watch the cooking of the supper.

Though Agricola was not much later than usual, the countenance of his mother expressed both uneasiness and grief; one might have seen, by the redness of her eyes, that she had been weeping a good deal. After long and painful uncertainty, the poor woman had just arrived at the conviction that her eyesight, which had been growing weaker and weaker, would soon be so much impaired as to prevent her working even the two or three hours a day which had lately been the extent of her labors.

Originally an excellent hand at her needle, she had been obliged, as her eyesight gradually failed her, to abandon the finer for the coa.r.s.er sorts of work, and her earnings had necessarily diminished in proportion; she had at length been reduced to the necessity of making those coa.r.s.e bags for the army, which took about four yards of sewing, and were paid at the rate of two sous each, she having to find her own thread. This work, being very hard, she could at most complete three such bags in a day, and her gains thus amounted to threepence (six sous)!

It makes one shudder to think of the great number of unhappy females, whose strength has been so much exhausted by privations, old age, or sickness, that all the labor of which they are capable, hardly suffices to bring them in daily this miserable pittance. Thus do their gains diminish in exact proportion to the increasing wants which age and infirmity must occasion.

Happily, Frances had an efficient support in her son. A first-rate workman, profiting by the just scale of wages adopted by M. Hardy, his labor brought him from four to five s.h.i.+llings a day--more than double what was gained by the workmen of many other establishments. Admitting therefore that his mother were to gain nothing, he could easily maintain both her and himself.

But the poor woman, so wonderfully economical that she denied herself even some of the necessaries of life, had of late become ruinously liberal on the score of the sacristy, since she had adopted the habit of visiting daily the parish church. Scarcely a day pa.s.sed but she had ma.s.ses sung, or tapers burnt, either for Dagobert, from whom she had been so long separated, or for the salvation of her son Agricola, whom she considered on the high-road to perdition. Agricola had so excellent a heart, so loved and revered his mother, and considered her actions in this respect inspired by so touching a sentiment, that he never complained when he saw a great part of his week's wages (which he paid regularly over to his mother every Sat.u.r.day) disappear in pious forms.

Yet now and then he ventured to remark to Frances, with as much respect as tenderness, that it pained him to see her enduring privations injurious at her age, because she preferred incurring these devotional expenses. But what answer could he make to this excellent mother, when she replied with tears: "My child, 'tis for the salvation of your father and yours too."

To dispute the efficacy of ma.s.ses, would have been venturing on a subject which Agricola, through respect for his mother's religious faith, never discussed. He contented himself, therefore, with seeing her dispense with comforts she might have enjoyed.

A discreet tap was heard at the door. "Come in," said Frances. The person came in.

CHAPTER XXVIII. THE SISTER OF THE BACCHa.n.a.l QUEEN.

The person who now entered was a girl of about eighteen, short, and very much deformed. Though not exactly a hunchback, her spine was curved; her breast was sunken, and her head deeply set in the shoulders. Her face was regular, but long, thin, very pale, and pitted with the small pox; yet it expressed great sweetness and melancholy. Her blue eyes beamed with kindness and intelligence. By a strange freak of nature, the handsomest woman would have been proud of the magnificent hair twisted in a coa.r.s.e net at the back of her head. She held an old basket in her hand. Though miserably clad, the care and neatness of her dress revealed a powerful struggle with her poverty. Notwithstanding the cold, she wore a scanty frock made of print of an indefinable color, spotted with white; but it had been so often washed, that its primitive design and color had long since disappeared. In her resigned, yet suffering face, might be read a long familiarity with every form of suffering, every description of taunting. From her birth, ridicule had ever pursued her.

We have said that she was very deformed, and she was vulgarly called "Mother Bunch." Indeed it was so usual to give her this grotesque name, which every moment reminded her of her infirmity, that Frances and Agricola, though they felt as much compa.s.sion as other people showed contempt for her, never called her, however, by any other name.

Mother Bunch, as we shall therefore call her in future, was born in the house in which Dagobert's wife had resided for more than twenty years; and she had, as it were, been brought up with Agricola and Gabriel.

There are wretches fatally doomed to misery. Mother Bunch had a very pretty sister, on whom Perrine Soliveau, their common mother, the widow of a ruined tradesman, had concentrated all her affection, while she treated her deformed child with contempt and unkindness. The latter would often come, weeping, to Frances, on this account, who tried to console her, and in the long evenings amused her by teaching her to read and sew. Accustomed to pity her by their mother's example, instead of imitating other children, who always taunted and sometimes even beat her, Agricola and Gabriel liked her, and used to protect and defend her.

She was about fifteen, and her sister Cephyse was about seventeen, when their mother died, leaving them both in utter poverty. Cephyse was intelligent, active, clever, but different to her sister; she had the lively, alert, hoydenish character which requires air, exercise and pleasures--a good girl enough, but foolishly spoiled by her mother.

Cephyse, listening at first to Frances's good advice, resigned herself to her lot; and, having learnt to sew, worked like her sister, for about a year. But, unable to endure any longer the bitter privations her insignificant earnings, notwithstanding her incessant toil, exposed her to--privations which often bordered on starvation--Cephyse, young, pretty, of warm temperament, and surrounded by brilliant offers and seductions--brilliant, indeed, for her, since they offered food to satisfy her hunger, shelter from the cold, and decent raiment, without being obliged to work fifteen hours a day in an obscure and unwholesome hovel--Cephyse listened to the vows of a young lawyer's clerk, who forsook her soon after. She formed a connection with another clerk, whom she (instructed by the examples set her), forsook in turn for a bagman, whom she afterwards cast off for other favorites. In a word, what with changing and being forsaken, Cephyse, in the course of one or two years, was the idol of a set of grisettes, students and clerks; and acquired such a reputation at the b.a.l.l.s on the Hampstead Heaths of Paris, by her decision of character, original turn of mind, and unwearied ardor in all kinds of pleasures, and especially her wild, noisy gayety, that she was termed the Baccha.n.a.l Queen, and proved herself in every way worthy of this bewildering royalty.

From that time poor Mother Bunch only heard of her sister at rare intervals. She still mourned for her, and continued to toil hard to gain her three-and-six a week. The unfortunate girl, having been taught sewing by Frances, made coa.r.s.e s.h.i.+rts for the common people and the army. For these she received half-a-crown a dozen. They had to be hemmed, st.i.tched, provided with collars and wristbands, b.u.t.tons, and b.u.t.ton holes; and at the most, when at work twelve and fifteen hours a day, she rarely succeeded in turning out more than fourteen or sixteen s.h.i.+rts a week--an excessive amount of toil that brought her in about three s.h.i.+llings and fourpence a week. And the case of this poor girl was neither accidental nor uncommon. And this, because the remuneration given for women's work is an example of revolting injustice and savage barbarism. They are paid not half as much as men who are employed at the needle: such as tailors, and makers of gloves, or waistcoats, etc.--no doubt because women can work as well as men--because they are more weak and delicate--and because their need may be twofold as great when they become mothers.

Well, Mother Bunch f.a.gged on, with three-and-four a week. That is to say, toiling hard for twelve or fifteen hours every day; she succeeded in keeping herself alive, in spite of exposure to hunger, cold, and poverty--so numerous were her privations. Privations? No! The word privation expresses but weakly that constant and terrible want of all that is necessary to preserve the existence G.o.d gives; namely, wholesome air and shelter, sufficient and nouris.h.i.+ng food and warm clothing.

Mortification would be a better word to describe that total want of all that is essentially vital, which a justly organized state of society ought--yes--ought necessarily to bestow on every active, honest workman and workwoman, since civilization has dispossessed them of all territorial right, and left them no other patrimony than their hands.

The savage does not enjoy the advantage of civilization; but he has, at least, the beasts of the field, the fowls of the air, the fish of the sea, and the fruits of the earth, to feed him, and his native woods for shelter and for fuel. The civilized man, disinherited of these gifts, considering the rights of property as sacred, may, in return for his hard daily labor, which enriches his country, demand wages that will enable him to live in the enjoyment of health: nothing more, and nothing less. For is it living, to drag along on the extreme edge which separates life from the grave, and even there continually struggle against cold, hunger, and disease? And to show how far the mortification which society imposes thus inexorably on its millions of honest, industrious laborers (by its careless disregard of all the questions which concern the just remuneration of labor), may extend, we will describe how this poor girl contrived to live on three s.h.i.+llings and sixpence a week.

Society, perhaps, may then feel its obligation to so many unfortunate wretches for supporting, with resignation, the horrible existence which leaves them just sufficient life to feel the worst pangs of humanity.

Yes: to live at such a price is virtue! Yes, society thus organized, whether it tolerates or imposes so much misery, loses all right to blame the poor wretches who sell themselves not through debauchery, but because they are cold and famis.h.i.+ng. This poor girl spent her wages as follows:

Six pounds of bread, second quality........0 8 1/2 Four pails of water................0 2 Lard or dripping (b.u.t.ter being out of the question)0 5 Coa.r.s.e salt....................0 0 3/4 A bushel of charcoal...............0 4 A quart of dried vegetables............0 3 Three quarts of potatoes..............0 2 Dips........................0 3 1/4 Thread and needles.................0 2 1/2 ______ 2 7

To save charcoal, Mother Bunch prepared soup only two or three times a week at most, on a stove that stood on the landing of the fourth story.

On other days she ate it cold. There remained nine or ten pence a week for clothes and lodging. By rare good fortune, her situation was in one respect an exception to the lot of many others. Agricola, that he might not wound her delicacy, had come to a secret arrangement with the housekeeper, and hired a garret for her, just large enough to hold a small bed, a chair, and a table; for which the sempstress had to pay five s.h.i.+llings a year. But Agricola, in fulfilment of his agreement with the porter, paid the balance, to make up the actual rent of the garret, which was twelve and sixpence. The poor girl had thus about eighteenpence a month left for her other expenses. But many workwomen, whose position is less fortunate than hers, since they have neither home nor family, buy a piece of bread and some other food to keep them through the day; and at night patronize the "twopenny rope," one with another, in a wretched room containing five or six beds, some of which are always engaged by men, as male lodgers are by far the most abundant.

Yes; and in spite of the disgust that a poor and virtuous girl must feel at this arrangement, she must submit to it; for a lodging-house keeper cannot have separate rooms for females. To furnish a room, however meanly, the poor workwoman must possess three or four s.h.i.+llings in ready money. But how save this sum, out of weekly earnings of a couple of florins, which are scarcely sufficient to keep her from starving, and are still less sufficient to clothe her? No! no! The poor wretch must resign herself to this repugnant cohabitation; and so, gradually, the instinct of modesty becomes weakened; the natural sentiment of chast.i.ty, that saved her from the "gay life," becomes extinct; vice appears to be the only means of improving her intolerable condition; she yields; and the first "man made of money," who can afford a governess for his children, cries out against the depravity of the lower orders! And yet, painful as the condition of the working woman is, it is relatively fortunate. Should work fail her for one day, two days, what then? Should sickness come--sickness almost always occasioned by unwholesome food, want of fresh air, necessary attention, and good rest; sickness, often so enervating as to render work impossible; though not so dangerous as to procure the sufferer a bed in an hospital--what becomes of the hapless wretches then? The mind hesitates, and shrinks from dwelling on such gloomy pictures.

This inadequacy of wages, one terrible source only of so many evils, and often of so many vices, is general, especially among women; and, again this is not private wretchedness, but the wretchedness which afflicts whole cla.s.ses, the type of which we endeavor to develop in Mother Bunch.

It exhibits the moral and physical condition of thousands of human creatures in Paris, obliged to subsist on a scanty four s.h.i.+llings a week. This poor workwoman, then, notwithstanding the advantages she unknowingly enjoyed through Agricola's generosity, lived very miserably; and her health, already shattered, was now wholly undermined by these constant hards.h.i.+ps. Yet, with extreme delicacy, though ignorant of the little sacrifice already made for her by Agricola, Mother Bunch pretended she earned more than she really did, in order to avoid offers of service which it would have pained her to accept, because she knew the limited means of Frances and her son, and because it would have wounded her natural delicacy, rendered still more sensitive by so many sorrows and humiliations.

But, singular as it may appear, this deformed body contained a loving and generous soul--a mind cultivated even to poetry; and let us add, that this was owing to the example of Agricola Baudoin, with whom she had been brought up, and who had naturally the gift. This poor girl was the first confidant to whom our young mechanic imparted his literary essays; and when he told her of the charm and extreme relief he found in poetic reverie, after a day of hard toil, the workwoman, gifted with strong natural intelligence, felt, in her turn, how great a resource this would be to her in her lonely and despised condition.

One day, to Agricola's great surprise, who had just read some verses to her, the sewing-girl, with smiles and blushes, timidly communicated to him also a poetic composition. Her verses wanted rhythm and harmony, perhaps; but they were simple and affecting, as a non-envenomed complaint entrusted to a friendly hearer. From that day Agricola and she held frequent consultations; they gave each other mutual encouragement: but with this exception, no one else knew anything of the girl's poetical essays, whose mild timidity made her often pa.s.s for a person of weak intellect. This soul must have been great and beautiful, for in all her unlettered strains there was not a word of murmuring respecting her hard lot: her note was sad, but gentle--desponding, but resigned; it was especially the language of deep tenderness--of mournful sympathy--of angelic charity for all poor creatures consigned, like her, to bear the double burden of poverty and deformity. Yet she often expressed a sincere free-spoken admiration of beauty, free from all envy or bitterness; she admired beauty as she admired the sun. But, alas! many were the verses of hers that Agricola had never seen, and which he was never to see.

The young mechanic, though not strictly handsome, had an open masculine face; was as courageous as kind; possessed a n.o.ble, glowing, generous heart, a superior mind, and a frank, pleasing gayety of spirits. The young girl, brought up with him, loved him as an unfortunate creature can love, who, dreading cruel ridicule, is obliged to hide her affection in the depths of her heart, and adopt reserve and deep dissimulation.

She did not seek to combat her love; to what purpose should she do so? No one would ever know it. Her well known sisterly affection for Agricola explained the interest she took in all that concerned him; so that no one was surprised at the extreme grief of the young workwoman, when, in 1830, Agricola, after fighting intrepidly for the people's flag, was brought bleeding home to his mother. Dagobert's son, deceived, like others, on this point, had never suspected, and was destined never to suspect, this love for him.

Such was the poorly-clad girl who entered the room in which Frances was preparing her son's supper.

"Is it you, my poor love," said she; "I have not seen you since morning: have you been ill? Come and kiss me."

The young girl kissed Agricola's mother, and replied: "I was very busy about some work, mother; I did not wish to lose a moment; I have only just finished it. I am going down to fetch some charcoal--do you want anything while I'm out?"

"No, no, my child, thank you. But I am very uneasy. It is half-past eight, and Agricola is not come home." Then she added, after a sigh: "He kills himself with work for me. Ah, I am very unhappy, my girl; my sight is quite going. In a quarter of an hour after I begin working, I cannot see at all--not even to sew sacks. The idea of being a burden to my son drives me distracted."

"Oh, don't, ma'am, if Agricola heard you say that--"

"I know the poor boy thinks of nothing but me, and that augments my vexation. Only I think that rather than leave me, he gives up the advantages that his fellow-workmen enjoy at Hardy's, his good and worthy master--instead of living in this dull garret, where it is scarcely light at noon, he would enjoy, like the other workmen, at very little expense, a good light room, warm in winter, airy in summer, with a view of the garden. And he is so fond of trees! not to mention that this place is so far from his work, that it is quite a toil to him to get to it."

"Oh, when he embraces you he forgets his fatigue, Mrs. Baudoin," said Mother Bunch; "besides, he knows how you cling to the house in which he was born. M. Hardy offered to settle you at Plessy with Agricola, in the building put up for the workmen."

"Yes, my child; but then I must give up church. I can't do that."

"But--be easy, I hear him," said the hunchback, blus.h.i.+ng.