The Poetical Works of William Wordsworth
Chapter 343 : The crag exactly answers the poet's description, a rising ground, the meeting-pla

The crag exactly answers the poet's description, a rising ground, the meeting-place of two highways. For in the poet's time the old Hawkshead and Outgate road at the Pullwyke corner ran at the very foot of the rising ground (roughly speaking) parallel to and some 60 to 100 yards west of the present road from the Pull to Wray.

It is true that no trace of wall is visible at its summit, but the summit has been planted since with trees, and walls are often removed at time of planting.

The poet would have a full view of the main road, down to, and round, the Pullwyke Bay; he would see the branch road from the fork, as it mounted the Water Barngates Hill, to the west, and would see the other road of the fork far-stretched and going south.

He would also have an extended view of copse and meadow land. He might, if the wind were south-easterly, hear the noise of Windermere, sobbing in the Pullwyke Bay, and would without doubt hear also the roar of the Pull Beck water, as it pa.s.sed down from the Ironkeld slopes on his left towards the lake.

It might be objected that the poem gives us the idea of a crag which, from the Hawkshead side at any rate, would require to be of more difficult ascent than this is, to justify the idea of difficulty as suggested in the lines:

'thither I repaired, Scout-like, and gained the summit;'

but I do not think we need read more into the lines than that the boy felt--as he scanned the country with his eyes, on the 'qui vive' at every rise in the ground--the feelings of a scout, who questions constantly the distant prospect.

And certainly the Pullwyke quarry crag rises most steeply from the meeting-point of the two highways.

Next as to the Outgate crag, which you have chosen. I am out of love with it. First, if the lads wanted to make sure of the ponies, they would not have ascended it, but would have stayed just at the Hawkshead side of Outgate, or at the village itself, at the point of convergence of the ways.

Secondly, the crag can hardly be described as rising from the meeting-point of two highways; only one highway pa.s.ses near it.

The crag is of so curious a formation geologically, that I can't fancy the poet describing his memory of it, without calling it a terraced hill, or an ascent by natural terraces.

Then, again, the prospect is not sufficiently extended from it. The stream not near enough, or rather not of size enough, to be heard.

Blelham Tarn is not too far to have added to the watery sound, it is true, but the wind we suppose to have been north-east, and the sound of the Blelham Tarn would be much carried away from him.

The present stone wall is not near the summit, and is of comparatively recent date. It is difficult to believe from the slope of the outcrop of rock that a wall could ever have been at the summit.

But there are two other vantage grounds intermediate between those extremes, both of which were probably in the mind and memory of the poet as he described the scene, and

'The intermitting prospect of the copse.

And plain beneath,'

allowed him by the mist. One of these is the High Crag, about three-quarters of a mile from the divergence or convergence of the two highways, which Dr. Cradock has selected.

There can be no doubt that this is the crag 'par excellence' for a wide and extended look-out over all the country between Outgate and Ambleside. Close at its summit there remain aged thorn trees, but no trace of a wall.

But High Crag can hardly be said to have risen at 'the meeting-point of two highways,' unless we are to understand the epithet 'far-stretched' as applying to the south-western slopes or skirts of the hill; and the two highways, the roads between Water Barngates on the west, and the bridle road between Pullwyke and Outgate at their Outgate junction, and this is rather too far a stretch.

It is quite true that if bridle paths can be described as highways, there may be said to be a meeting-point of these close at the north-eastern side of the crag.

But, remembering that the ponies came from Penrith, the driver was not likely to have had any intimate knowledge of these bridle paths; while, at the same time, on that misty day, I much question whether the boys on the look-out at High Crag could have seen ponies creeping along between walled roads at so great a distance as half a mile or more.

And this would seem to have been the problem for them on that day.

I ought in fairness to say that it is not likely that the roads were then (as to-day) walled up high on either side. To-day, even from the summit of High Crag, only the head and ears of a pony could be seen as it pa.s.sed up the Water Barngates Road; but at the end of last century many of the roads were only partially walled off from the moorlands they pa.s.sed over in the Lake Country.

Still, as I said, High Crag was a point of vantage that the poet, as a lad, must have often climbed, in this part of the country, if he wanted to indulge in the delights of panoramic scene.

There is a wall some hundred yards from the summit, on the south-westerly flank of High Crag; near this--at a point close by, two large holly trees--the boy might have sheltered himself against the north-eastern wind, and have got a closer and better view of the road between Barngates and Outgate, and Randy Pike and Outgate.

Here, too, he could possibly hear the sound of the stream in the dingle or woody hollow immediately at his feet; but I am far from content with this as being the spot the poet watched from.

There is again a fourth possible look-out place, to which you will remember I directed your attention, nearer Randy Pike. The slope, covered with larches, rises up from the Randy Pike Road to a precipitous crag which faces north and east.

From this, a grand view of the country between Randy Pike and Pullwyke is obtained, and if the bridle paths might--as is possible, but unlikely--be called two highways, then this crag could be spoken of as rising from the meeting place of the two highways. For the old Hawkshead Road pa.s.sed along to the east, within calling distance (say ninety yards), and a bridle road from Pullwyke, now used chiefly by the quarrymen, pa.s.sed within eighty yards to the west; while it is certain that the brook below, when swollen by winter rains, might be loud enough to be heard from the copse. This crag is known as Coldwell or Caudwell Crag, and is situated about half a mile east-south-east of the High Crag.

It has this much in its favour, that a wall of considerable age crests its summit, and one can whilst sitting down on a rock close behind it be sheltered from the north and east, and yet obtain an extensive view of the subadjacent country. IF it were certain that the ponies when they got to Pullwyke did not go up towards Water Barngates, and so to Hawkshead, then there is no crag in the district which would so thoroughly answer to all the needs of the boys, and to all the points of description the poet has placed on record.

But it is just this IF that makes me decide on the Pullwyke Crag--the one first described--as being the actual spot to which, scout-like, the schoolboys clomb, on that eventful 'eve of their dear holidays;'

while, at the same time, it is my firm conviction that Wordsworth--as he painted the memories of that event--had also before his mind's eye the scene as viewed from Coldwell and High Crag."

Ed.

NOTE VI.--COLERIDGE'S LINES TO WORDSWORTH, ON HEARING 'THE PRELUDE'

RECITED BY HIM AT COLEORTON, IN 1806

The following is a copy of a version of these 'Lines', sent by Coleridge to Sir George Beaumont, at Dunmow, Ess.e.x, in January, 1807. The variations, both in the t.i.tle and in the text, from that which Coleridge finally adopted (see p. 129), are interesting in many ways:

LINES

To William Wordsworth: Composed for the greater part on the same night after the finis.h.i.+ng of his recitation of the Poem, in Thirteen Books, on the growth of his own mind.

O Friend! O Teacher! G.o.d's great Gift to me!

Into my Heart have I received that Lay More than historic, that prophetic Lay Wherein (high theme by thee first sung aright) Of the foundations and the building up 5 Of thine own spirit thou hast loved to tell What _may_ be told, by words revealable: With heavenly breathings, like the secret soul Of vernal growth, oft quickening in the heart Thoughts, that obey no mastery of words, 10 Pure Self-beholdings! Theme as hard as high, Of Smiles spontaneous and mysterious Fear!

The first born they of Reason and twin birth!

Of tides obedient to external force, And currents self-determin'd, as might seem, 15 Or by some inner power! Of moments awful, Now in thy hidden life, and now abroad, When power stream'd from thee, and thy soul receiv'd The light reflected, as a light bestow'd!

Of fancies fair, and milder hours of youth, 20 Hybloean murmurs of poetic thought Industrious in its joy, in vales and glens Native or outland, Lakes and famous Hills; Or on the lonely high-road, when the stars Were rising; or by secret mountain streams, 25 The guides and the companions of thy way!

Of more than Fancy--of the SOCIAL SENSE Distending, and of Man belov'd as Man, Where France in all her Towns lay vibrating, Even as a Bark becalm'd on sultry seas 30 Quivers beneath the voice from Heaven, the burst Of Heaven's immediate thunder, when no cloud Is visible, or shadow on the main!

For thou wert there, thy own brows garlanded, Amid the tremor of a Realm aglow! 35 Amid a mighty nation jubilant!

When from the general Heart of Human Kind Hope sprang forth, like an armed Deity!

Of that dear Hope afflicted and struck down, So summon'd homeward; thenceforth calm and sure, 40 As from the Watch-tower of Man's absolute Self, With light unwaning on her eyes, to look Far on--herself a Glory to behold, The Angel of the Vision! Then (last strain) Of Duty, chosen Laws controlling choice, 45 Action and Joy!--an Orphic Tale indeed, A Tale divine of high and pa.s.sionate Thoughts, To their own Music chaunted!--

A great Bard!

Ere yet the last strain dying awed the air, With steadfast eyes I saw thee in the choir 50 Of ever-enduring men. The truly Great Have all one age, and from one visible s.p.a.ce Shed influence: for they, both power and act, Are permanent, and Time is not with them, Save as it worketh for them, they in it. 55 Nor less a sacred Roll, than those of old, And to be plac'd, as they, with gradual fame Among the Archives of Mankind, thy Work Makes audible a linked Song of Truth, Of Truth profound a sweet continuous Song 60 Not learnt, but native, her own natural notes!

Dear shall it be to every human heart, To me how more than dearest! Me, on whom Comfort from thee, and utterance of thy Love, Come with such Heights and Depths of Harmony 65 Such sense of Wings uplifting, that its might Scatter'd and quell'd me, till my Thoughts became A bodily Tumult; and thy faithful Hopes, Thy Hopes of me, dear Friend! by me unfelt!

Were troublous to me, almost as a Voice 70 Familiar once and more than musical; As a dear Woman's Voice to one cast forth, [A]

A Wanderer with a worn-out heart forlorn, Mid Strangers pining with untended wounds.