Character Sketches of Romance
Chapter 67 : CATHUL'LA, king of Inistore (_the Orkneys_) and brother of Coma'la (_q.v._).

CATHUL'LA, king of Inistore (_the Orkneys_) and brother of Coma'la (_q.v._). Fingal, on coming in sight of the palace, observed a beacon-flame on its top as signal of distress, for Frothal king of Sora had besieged it. Fingal attacked Frothal, engaged him in single combat, defeated him, and made him prisoner.--Ossian, _Carrick-Thura._

CAT'ILINE (3 _syl_.), a Roman patrician, who headed a conspiracy to overthrow the Government, and obtain for himself and his followers all places of power and trust. The conspiracy was discovered by Cicero.

Catiline escaped and put himself at the head of his army, but fell in the battle after fighting with desperate daring (B.C. 62). Ben Jonson wrote a tragedy called _Catiline_ (1611), and Voltaire, in his _Rome Sauvee_, has introduced the conspiracy and death of Catiline (1752).

CA'TO, the hero and t.i.tle of a tragedy by J. Addison (1713). Disgusted with Caesar, Cato retired to U'tica (in Africa), where he had a small republic and mimic senate; but Caesar resolved to reduce Utica as he had done the rest of Africa, and Cato, finding resistance hopeless, fell on his own sword.

Tho' stern and awful to the foes of Rome, He is all goodness, Lucia, always mild, Compa.s.sionate, and gentle to his friends; Filled with domestic tenderness.

Act v. 1.

When Barton Booth [1713] first appeared as "Cato," Bolingbroke called him into his box and gave him fifty guineas for defending the cause of liberty so well against a perpetual dictator.--_Life of Addison_.

_He is a Cato_, a man of simple habits, severe morals, strict justice, and blunt speech, but of undoubted integrity and patriotism, like the Roman censor of that name, the grandfather of the Cato of Utica, who resembled him in character and manners.

CATO AND HORTENS'IUS. Cato of Utica's second wife was Martia daughter of Philip. He allowed her to live with his friend Hortensius, and after the death of Hortensius took her back again.

_[Sultans]_ don't agree at all with the wise Roman, Heroic, stoic Cato, the sententious, Who lent his lady to his friend Hortensius.

Byron, _Don Juan_, vi. 7 (1821).

CATUL'LUS. Lord Byron calls Thomas Moore the "British Catullus,"

referring to a volume of amatory poems published in 1808, under the pseudonym of "Thomas Little."

'Tis Little! young Catullus of his day, As sweet but as immoral as his lay.

Byron, _English Bards and Scotch Reviewers_ (1809).

_The Oriental Catullus_, Saadi or Sadi, a Persian poet. He married a rich merchant's daughter, but the marriage was an unhappy one. His chief works are _The Gulistan_ (or "garden of roses") and _The Bostan_ (or "garden of fruits") (1176-1291).

CAU'DLE _(Mrs. Margaret_), a curtain lecturer, who between eleven o'clock at night and seven the next morning delivered for thirty years a curtain lecture to her husband Job Caudle, generally a most gentle listener; if he replied she p.r.o.nounced him insufferably rude, and if he did not he was insufferably sulky.--Douglas Jerrold, _Punch_ ("The Caudle Papers").

CAU'LINE _(Sir)_, a knight who served the wine to the king of Ireland.

He fell in love with Christabelle (3 _syl_.), the king's-daughter, and she became his troth-plight wife, without her father's knowledge. When the king knew of it, he banished sir Cauline (2 _syl_.). After a time the Soldain asked the lady in marriage, but sir Cauline challenged his rival and slew him. He himself, however, died of the wounds he had received, and the lady Christabelle, out of grief, "burst her gentle hearte in twayne."--Percy's _Reliques_, I. i. 4.

CAU'RUS, the stormy west-north-west wind; called in Greek _Argestes_.

The ground by piercing Caurus seared.

Thomson, _Castle of Indolence_, ii. (1748).

CAUSTIC, of the _Despatch_ newspaper, was the signature of Mr. Serle.

_Christopher Caustic_, the pseudonym of Thomas Green Fessenden, author of _Terrible Tractoration_, a Hudibrastic poem (1771-1837).

_Caustic_ (_Colonel_), a fine gentleman of the last century, very severe on the degeneracy of the present race.--Henry Mackenzie, in _The Lounger_.

CA'VA, or _Florida_, daughter of St. Julian. It was the violation of Cava by Roderick that brought about the war between the Goths and the Moors, in which Roderick was slain (A.D. 711).

CAVALIER _(The)._ Eon de Beaumont, called by the French _Le Chevalier d'Eon_ (1728-1810). Charles Breydel, the Flemish landscape painter (1677-1744). Francisco Cairo, the historian, called _El Chavaliere del Cairo_ (1598-1674). Jean le Clerc, _Le Chevalier_ (1587-1633). J.

Bapt. Marini, the Italian poet, called _Il Cavaliere_ (1569-1625).

Andrew Michael Ramsay (1686-1743).

[Ill.u.s.tration] James Francis Edward Stuart, the

"Old Pretender," was styled _Le Chevalier de St. George_ (1688-1765).

Charles Edward, the "Young Pretender," was styled _The Bonnie Chevalier_ or _The Young Cavalier_ (1720-1788).

CAVALL', "king Arthur's hound of deepest mouth."--Tennyson, _Idylls of the King_ ("Enid").

CAV'ENDISH, author of _Principles of Whist_, and numerous guide-books on games, as _Bezique, Piquet, ecarte, Billiards_, etc. Henry Jones, editor of "Pastimes" in _The Field_ and _The Queen_ newspapers (1831-).

CAX'ON _(Old Jacob_), hairdresser of Jonathan Oldbuck ("the antiquary") of Monkbarns.

_Jenny Caxon_, a milliner; daughter of Old Jacob.--Sir W. Scott, _The Antiquary_ (time, George III.).

CAXTON _(Pisistratus)_, Edward George Earle Lytton Bulwer Lytton, baron Lytton, author of _My Novel_ (1853); _What will He do with it?_ (1859); _Caxtoniania_ (1863); _The Boatman_ (1864).

CECIL, the hero of a novel so called by Mrs. Gore (1790-1861).

CECIL DREEME, _alias_ Clara Denman. The young woman a.s.sumes a man's dress and character, and sustains it so well as to deceive those dearest to her. She is kidnapped and in danger of death, and her rescuers discover the truth.--Theodore Winthrop, _Cecil Dreeme_ (1861).

CECILIA, belle of the village in which H. W. Longfellow's Kavanagh is the clergyman. She wins his affections easily, unconsciously becoming the rival of her dearest friend (1872).

_Cecilia (St.)_, the patroness of musicians and "inventor of the organ." The legend says that an angel fell in love with Cecilia for her musical skill, and nightly brought her roses from paradise. Her husband saw the angel visitant, who gave to both a crown of martyrdom.

Thou seem'st to me like the angel That brought the immortal roses To St. Cecilia's bridal chamber.

Longfellow, _The Golden Legend_.

CE'DRIC, a thane of Rotherwood, and surnamed "the Saxon."--Sir W.

Scott, _Ivanhoe_ (time, Richard I.).

CEL'ADON AND AME'LIA, lovers of matchless beauty, and most devoted to each other. Being overtaken by a thunderstorm, Amelia became alarmed, but Celadon, folding his arm about her, said, "'Tis safety to be near thee, sure;" but while he spoke, Amelia was struck by lightning and fell dead in his arms.--Thomson, _The Seasons_ ("Summer," 1727).

CELE'NO OR CELSAE'NO, chief of the harpies.

There on a craggy stone Celeno hung, and made his direful moan.

Giles Fletcher, _Christ's Triumph [on Earth_]

(1610).

CE'LIA, daughter of Frederick the usurping duke, and cousin of Ros'alind, daughter of the banished duke. When Rosalind was driven from her uncle's court, Celia determined to go with her to the forest of Arden to seek out the banished duke, and for security's sake Rosalind dressed in boy's clothes and called herself "Gan'ymede,"

while Celia dressed as a peasant girl and called herself "Aliena."

When they reached Arden they lodged for a time in a shepherd's hut, and Oliver de Boys was sent to tell them that his brother Orlando was hurt and could not come to the hut as usual. Oliver and Celia fell in love with each other, and their wedding-day was fixed. Ganymede resumed the dress of Bosalind, and the two brothers married at the same time.--Shakespeare, _As You Like It_ (1598).

_Ce'lia_, a girl of sixteen, in Whitehead's comedy of _The School for Lovers_. It was written expressly for Mrs. Cibber, daughter of Dr.

Arne.

Mrs. Cibber was at the time more than fifty years old, but the uncommon symmetry and exact proportion in her form, with her singular vivacity, enabled her to represent the character of "Celia" with all the juvenile appearance marked by the author.--Percy, _Anecdotes_.