The Works of Charles and Mary Lamb
Chapter 90 : Up thither like aerial vapours fly Both all Stage things, and all that in Stage things

Up thither like aerial vapours fly Both all Stage things, and all that in Stage things Built their fond hopes of glory, or lasting fame?

All the unaccomplish'd works of Authors' hands, Abortive, monstrous, or unkindly mix'd, d.a.m.n'd upon earth, fleet thither-- Play, Opera, Farce, with all their trumpery--

There, by the neighbouring moon (by some not improperly supposed thy Regent Planet upon earth) mayst thou not still be acting thy managerial pranks, great disembodied Lessee? but Lessee still, and still a Manager.

In Green Rooms, impervious to mortal eye, the muse beholds thee wielding posthumous empire.

Thin ghosts of Figurantes (never plump on earth) circle thee in endlessly, and still their song is _Fye on sinful Phantasy_.

Magnificent were thy capriccios on this globe of earth, ROBERT WILLIAM ELLISTON! for as yet we know not thy new name in heaven.

It irks me to think, that, stript of thy regalities, thou shouldst ferry over, a poor forked shade, in crazy Stygian wherry. Methinks I hear the old boatman, paddling by the weedy wharf, with raucid voice, bawling "SCULLS, SCULLS:" to which, with waving hand, and majestic action, thou deignest no reply, other than in two curt monosyllables, "No: OARS."

But the laws of Pluto's kingdom know small difference between king, and cobbler; manager, and call-boy; and, if haply your dates of life were conterminant, you are quietly taking your pa.s.sage, cheek by cheek (O ign.o.ble levelling of Death) with the shade of some recently departed candle-snuffer.

But mercy! what strippings, what tearing off of histrionic robes, and private vanities! what denudations to the bone, before the surly Ferryman will admit you to set a foot within his battered lighter!

Crowns, sceptres; s.h.i.+eld, sword, and truncheon; thy own coronation robes (for thou hast brought the whole property man's wardrobe with thee, enough to sink a navy); the judge's ermine; the c.o.xcomb's wig; the snuff-box _a la Foppington_--all must overboard, he positively swears--and that ancient mariner brooks no denial; for, since the tiresome monodrame of the old Thracian Harper, Charon, it is to be believed, hath shown small taste for theatricals.

Aye, now 'tis done. You are just boat weight; _pura et puta anima_.

But bless me, how _little_ you look!

So shall we all look--kings, and keysars--stript for the last voyage.

But the murky rogue pushes off. Adieu, pleasant, and thrice pleasant shade! with my parting thanks for many a heavy hour of life lightened by thy harmless extravaganzas, public or domestic.

Rhadamanthus, who tries the lighter causes below, leaving to his two brethren the heavy calendars--honest Rhadamanth, always partial to players, weighing their parti-coloured existence here upon earth,--making account of the few foibles, that may have shaded thy _real life_ as we call it, (though, substantially, scarcely less a vapour than thy idlest vagaries upon the boards of Drury,) as but of so many echoes, natural repercussions, and results to be expected from the a.s.sumed extravagancies of thy _secondary_ or _mock life_, nightly upon a stage--after a lenient castigation, with rods lighter than of those Medusean ringlets, but just enough to "whip the offending Adam out of thee"--shall courteously dismiss thee at the right hand gate--the O.P. side of Hades--that conducts to masques, and merry-makings, in the Theatre Royal of Proserpine.

PLAUDITO, ET VALETO

ELLISTONIANA

My acquaintance with the pleasant creature, whose loss we all deplore, was but slight.

My first introduction to E., which afterwards ripened into an acquaintance a little on this side of intimacy, was over a counter of the Leamington Spa Library, then newly entered upon by a branch of his family. E., whom nothing misbecame--to auspicate, I suppose, the filial concern, and set it a going with a l.u.s.tre--was serving in person two damsels fair, who had come into the shop ostensibly to inquire for some new publication, but in reality to have a sight of the ill.u.s.trious shopman, hoping some conference. With what an air did he reach down the volume, dispa.s.sionately giving his opinion upon the worth of the work in question, and launching out into a dissertation on its comparative merits with those of certain publications of a similar stamp, its rivals! his enchanted customers fairly hanging on his lips, subdued to their authoritative sentence. So have I seen a gentleman in comedy _acting_ the shopman. So Lovelace sold his gloves in King Street. I admired the histrionic art, by which he contrived to carry clean away every notion of disgrace, from the occupation he had so generously submitted to; and from that hour I judged him, with no after repentance, to be a person, with whom it would be a felicity to be more acquainted.

To descant upon his merits as a Comedian would be superfluous. With his blended private and professional habits alone I have to do; that harmonious fusion of the manners of the player into those of every day life, which brought the stage boards into streets, and dining-parlours, and kept up the play when the play was ended.--"I like Wrench," a friend was saying to him one day, "because he is the same natural, easy creature, _on_ the stage, that he is _off_." "My case exactly," retorted Elliston--with a charming forgetfulness, that the converse of a proposition does not always lead to the same conclusion--"I am the same person _off_ the stage that I am _on_." The inference, at first sight, seems identical; but examine it a little, and it confesses only, that the one performer was never, and the other always, _acting_.

And in truth this was the charm of Elliston's private deportment.

You had a spirited performance always going on before your eyes, with nothing to pay. As where a monarch takes up his casual abode for a night, the poorest hovel which he honours by his sleeping in it, becomes _ipso facto_ for that time a palace; so where-ever Elliston walked, sate, or stood still, there was the theatre. He carried about with him his pit, boxes, and galleries, and set up his portable playhouse at corners of streets, and in the market-places. Upon flintiest pavements he trod the boards still; and if his theme chanced to be pa.s.sionate, the green baize carpet of tragedy spontaneously rose beneath his feet. Now this was hearty, and showed a love for his art.

So Apelles _always_ painted--in thought. So G.D. _always_ poetises.

I hate a lukewarm artist. I have known actors--and some of them of Elliston's own stamp--who shall have agreeably been amusing you in the part of a rake or a c.o.xcomb, through the two or three hours of their dramatic existence; but no sooner does the curtain fall with its leaden clatter, but a spirit of lead seems to seize on all their faculties. They emerge sour, morose persons, intolerable to their families, servants, &c. Another shall have been expanding your heart with generous deeds and sentiments, till it even beats with yearnings of universal sympathy; you absolutely long to go home, and do some good action. The play seems tedious, till you can get fairly out of the house, and realise your laudable intentions. At length the final bell rings, and this cordial representative of all that is amiable in human b.r.e.a.s.t.s steps forth--a miser. Elliston was more of a piece.

Did he _play_ Ranger? and did Ranger fill the general bosom of the town with satisfaction? why should _he_ not be Ranger, and diffuse the same cordial satisfaction among his private circles? with _his_ temperament, _his_ animal spirits, _his_ good-nature, _his_ follies perchance, could he do better than identify himself with his impersonation? Are we to like a pleasant rake, or c.o.xcomb, on the stage, and give ourselves airs of aversion for the identical character presented to us in actual life? or what would the performer have gained by divesting himself of the impersonation? Could the man Elliston have been essentially different from his part, even if he had avoided to reflect to us studiously, in private circles, the airy briskness, the forwardness, and 'scape goat trickeries of his prototype?

"But there is something not natural in this everlasting _acting_; we want the real man."

Are you quite sure that it is not the man himself, whom you cannot, or will not see, under some advent.i.tious trappings, which, nevertheless, sit not at all inconsistently upon him? What if it is the nature of some men to be highly artificial? The fault is least reprehensible in _players_. Cibber was his own Foppington, with almost as much wit as Vanburgh could add to it.

"My conceit of his person,"--it is Ben Jonson speaking of Lord Bacon,--"was never increased towards him by his _place_ or _honours_.

But I have, and do reverence him for the _greatness_, that was only proper to himself; in that he seemed to me ever one of the _greatest_ men, that had been in many ages. In his adversity I ever prayed that heaven would give him strength; for _greatness_ he could not want."

The quality here commended was scarcely less conspicuous in the subject of these idle reminiscences, than in my Lord Verulam. Those who have imagined that an unexpected elevation to the direction of a great London Theatre, affected the consequence of Elliston, or at all changed his nature, knew not the essential _greatness_ of the man whom they disparage. It was my fortune to encounter him near St. Dunstan's Church (which, with its punctual giants, is now no more than dust and a shadow), on the morning of his election to that high office.

Grasping my hand with a look of significance, he only uttered,--"Have you heard the news?"--then with another look following up the blow, he subjoined, "I am the future Manager of Drury Lane Theatre."--Breathless as he saw me, he stayed not for congratulation or reply, but mutely stalked away, leaving me to chew upon his new-blown dignities at leisure. In fact, nothing could be said to it. Expressive silence alone could muse his praise. This was in his _great_ style.

But was he less _great_, (be witness, O ye Powers of Equanimity, that supported in the ruins of Carthage the consular exile, and more recently trans.m.u.ted for a more ill.u.s.trious exile the barren constables.h.i.+p of Elba into an image of Imperial France), when, in melancholy after-years, again, much near the same spot, I met him, when that sceptre had been wrested from his hand, and his dominion was curtailed to the petty managers.h.i.+p, and part proprietors.h.i.+p, of the small Olympic, _his Elba?_ He still played nightly upon the boards of Drury, but in parts alas! allotted to him, not magnificently distributed by him. Waiving his great loss as nothing, and magnificently sinking the sense of fallen _material_ grandeur in the more liberal resentment of depreciations done to his more lofty _intellectual_ pretensions, "Have you heard" (his customary exordium)--"have you heard," said he, "how they treat me? they put me in _comedy_." Thought I--but his finger on his lips forbade any verbal interruption--"where could they have put you better?" Then, after a pause--"Where I formerly played Romeo, I now play Mercutio,"--and so again he stalked away, neither staying, nor caring for, responses.

O, it was a rich scene,--but Sir A---- C----, the best of story-tellers and surgeons, who mends a lame narrative almost as well as he sets a fracture, alone could do justice to it--that I was witness to, in the tarnished room (that had once been green) of that same little Olympic. There, after his deposition from Imperial Drury, he subst.i.tuted a throne. That Olympic Hill was his "highest heaven;"

himself "Jove in his chair." There he sat in state, while before him, on complaint of prompter, was brought for judgment--how shall I describe her?--one of those little tawdry things that flirt at the tails of choruses--a probationer for the town, in either of its senses--the pertest little drab--a dirty fringe and appendage of the lamps' smoke--who, it seems, on some disapprobation expressed by a "highly respectable" audience, had precipitately quitted her station on the boards, and withdrawn her small talents in disgust.

"And how dare you," said her Manager--a.s.suming a censorial severity which would have crushed the confidence of a Vestris, and disarmed that beautiful Rebel herself of her professional caprices--I verily believe, he thought _her_ standing before him--"how dare you, Madam, withdraw yourself, without a notice, from your theatrical duties?" "I was hissed, Sir." "And you have the presumption to decide upon the taste of the town?" "I don't know that, Sir, but I will never stand to be hissed," was the subjoinder of young Confidence--when gathering up his features into one significant ma.s.s of wonder, pity, and expostulatory indignation--in a lesson never to have been lost upon a creature less forward than she who stood before him--his words were these: "They have hissed _me_."

'Twas the identical argument _a fortiori_, which the son of Peleus uses to Lycaon trembling under his lance, to persuade him to take his destiny with a good grace. "I too am mortal." And it is to be believed that in both cases the rhetoric missed of its application, for want of a proper understanding with the faculties of the respective recipients.

"Quite an Opera pit," he said to me, as he was courteously conducting me over the benches of his Surrey Theatre, the last retreat, and recess, of his every-day waning grandeur.

Those who knew Elliston, will know the _manner_ in which he p.r.o.nounced the latter sentence of the few words I am about to record. One proud day to me he took his roast mutton with us in the Temple, to which I had superadded a preliminary haddock. After a rather plentiful partaking of the meagre banquet, not unrefreshed with the humbler sort of liquors, I made a sort of apology for the humility of the fare, observing that for my own part I never ate but of one dish at dinner.

"I too never eat but one thing at dinner"--was his reply--then after a pause--"reckoning fish as nothing." The manner was all. It was as if by one peremptory sentence he had decreed the annihilation of all the savory esculents, which the pleasant and nutritious-food-giving Ocean pours forth upon poor humans from her watery bosom. This was _greatness_, tempered with considerate _tenderness_ to the feelings of his scanty but welcoming entertainer.

_Great_ wert thou in thy life, Robert William Elliston! and _not lessened_ in thy death, if report speak truly, which says that thou didst direct that thy mortal remains should repose under no inscription but one of pure _Latinity_. Cla.s.sical was thy bringing up! and beautiful was the feeling on thy last bed, which, connecting the man with the boy, took thee back in thy latest exercise of imagination, to the days when, undreaming of Theatres and Managers.h.i.+ps, thou wert a scholar, and an early ripe one, under the roofs builded by the munificent and pious Colet. For thee the Pauline Muses weep. In elegies, that shall silence this crude prose, they shall celebrate thy praise.

DETACHED THOUGHTS ON BOOKS AND READING

To mind the inside of a book is to entertain one's self with the forced product of another man's brain. Now I think a man of quality and breeding may be much amused with the natural sprouts of his own.

_Lord Foppington in the Relapse._

An ingenious acquaintance of my own was so much struck with this bright sally of his Lords.h.i.+p, that he has left off reading altogether, to the great improvement of his originality. At the hazard of losing some credit on this head, I must confess that I dedicate no inconsiderable portion of my time to other people's thoughts. I dream away my life in others' speculations. I love to lose myself in other men's minds. When I am not walking, I am reading; I cannot sit and think. Books think for me.

I have no repugnances. Shaftesbury is not too genteel for me, nor Jonathan Wild too low. I can read any thing which I call a _book_.

There are things in that shape which I cannot allow for such.

In this catalogue of _books which are no books--biblia a-biblia_--I reckon Court Calendars, Directories, Pocket Books, Draught Boards bound and lettered at the back, Scientific Treatises, Almanacks, Statutes at Large; the works of Hume, Gibbon, Robertson, Beattie, Soame Jenyns, and, generally, all those volumes which "no gentleman's library should be without:" the Histories of Flavins Josephus (that learned Jew), and Paley's Moral Philosophy. With these exceptions, I can read almost any thing. I bless my stars for a taste so catholic, so unexcluding.

I confess that it moves my spleen to see these _things in books'

clothing_ perched upon shelves, like false saints, usurpers of true shrines, intruders into the sanctuary, thrusting out the legitimate occupants. To reach down a well-bound semblance of a volume, and hope it is some kind-hearted play-book, then, opening what "seem its leaves," to come bolt upon a withering Population Essay. To expect a Steele, or a Farquhar, and find--Adam Smith. To view a well-arranged a.s.sortment of blockheaded Encyclopaedias (Anglicanas or Metropolitanas) set out in an array of Russia, or Morocco, when a t.i.the of that good leather would comfortably re-clothe my s.h.i.+vering folios; would renovate Paracelsus himself, and enable old Raymund Lully to look like himself again in the world. I never see these impostors, but I long to strip them, to warm my ragged veterans in their spoils.

To be strong-backed and neat-bound is the desideratum of a volume.

Magnificence comes after. This, when it can be afforded, is not to be lavished upon all kinds of books indiscriminately. I would not dress a set of Magazines, for instance, in full suit. The dishabille, or half-binding (with Russia backs ever) is _our_ costume. A Shakespeare, or a Milton (unless the first editions), it were mere foppery to trick out in gay apparel. The possession of them confers no distinction. The exterior of them (the things themselves being so common), strange to say, raises no sweet emotions, no tickling sense of property in the owner. Thomson's Seasons, again, looks best (I maintain it) a little torn, and dog's-eared. How beautiful to a genuine lover of reading are the sullied leaves, and worn out appearance, nay, the very odour (beyond Russia), if we would not forget kind feelings in fastidiousness, of an old "Circulating Library" Tom Jones, or Vicar of Wakefield! How they speak of the thousand thumbs, that have turned over their pages with delight!--of the lone sempstress, whom they may have cheered (milliner, or harder-working mantua-maker) after her long day's needle-toil, running far into midnight, when she has s.n.a.t.c.hed an hour, ill spared from sleep, to steep her cares, as in some Lethean cup, in spelling out their enchanting contents! Who would have them a whit less soiled? What better condition could we desire to see them in?