The Works of Charles and Mary Lamb
Chapter 289 : CHARLES LAMB TO S.T. COLERIDGE Oct. 24th, 1796. [Monday.]Coleridge, I feel myself much

CHARLES LAMB TO S.T. COLERIDGE

Oct. 24th, 1796. [Monday.]

Coleridge, I feel myself much your debtor for that spirit of confidence and friends.h.i.+p which dictated your last letter. May your soul find peace at last in your cottage life! I only wish you were but settled. Do continue to write to me. I read your letters with my sister, and they give us both abundance of delight. Especially they please us two, when you talk in a religious strain,--not but we are offended occasionally with a certain freedom of expression, a certain air of mysticism, more consonant to the conceits of pagan philosophy, than consistent with the humility of genuine piety. To instance now in your last letter--you say, "it is by the press [sic], that G.o.d hath given finite spirits both evil and good (I suppose you mean simply bad men and good men), a portion as it were of His Omnipresence!" Now, high as the human intellect comparatively will soar, and wide as its influence, malign or salutary, can extend, is there not, Coleridge, a distance between the Divine Mind and it, which makes such language blasphemy? Again, in your first fine consolatory epistle you say, "you are a temporary sharer in human misery, that you may be an eternal partaker of the Divine Nature." What more than this do those men say, who are for exalting the man Christ Jesus into the second person of an unknown Trinity,--men, whom you or I scruple not to call idolaters? Man, full of imperfections, at best, and subject to wants which momentarily remind him of dependence; man, a weak and ignorant being, "servile" from his birth "to all the skiey influences," with eyes sometimes open to discern the right path, but a head generally too dizzy to pursue it; man, in the pride of speculation, forgetting his nature, and hailing in himself the future G.o.d, must make the angels laugh. Be not angry with me, Coleridge; I wish not to cavil; I know I cannot _instruct_ you; I only wish to _remind_ you of that humility which best becometh the Christian character. G.o.d, in the New Testament (_our best guide_), is represented to us in the kind, condescending, amiable, familiar light of a _parent_: and in my poor mind 'tis best for us so to consider of Him, as our heavenly Father, and our _best Friend_, without indulging too bold conceptions of His nature.

Let us learn to think humbly of ourselves, and rejoice in the appellation of "dear children," "brethren," and "co-heirs with Christ of the promises," seeking to know no further.

I am not insensible, indeed I am not, of the value of that first letter of yours, and I shall find reason to thank you for it again and again long after that blemish in it is forgotten. It will be a fine lesson of comfort to us, whenever we read it; and read it we often shall, Mary and I.

Accept our loves and best kind wishes for the welfare of yourself and wife, and little one. Nor let me forget to wish you joy on your birthday so lately past; I thought you had been older. My kind thanks and remembrances to Lloyd. G.o.d love us all, and may He continue to be the father and the friend of the whole human race!

Sunday Evening. C. LAMB.

[It is interesting to notice that with these letters Lamb suddenly a.s.sumes a gravity, independence and sense of authority that hitherto his correspondence has lacked. The responsibility of the household seems to have awakened his extraordinary common sense and fine understanding sense of justice. Previously he had ventured to criticise only Coleridge's literary exercises; he places his finger now on conduct too.

Coleridge's "last letter" has not been preserved; but the "first fine consolatory epistle" is printed above.

This letter contains the first mention of Charles Lloyd (1775-1839), who was afterwards to be for a while so intimately a.s.sociated with Lamb.

Charles Lloyd was the son of a Quaker banker of Birmingham. He had published a volume of poems the year before and had met Coleridge when that magnetic visionary had visited Birmingham to solicit subscribers for _The Watchman_ early in 1796. The proposition that Lloyd should live with Coleridge and become in a way his pupil was agreed to by his parents, and in September he accompanied the philosopher to Nether Stowey a day or so after David Hartley's birth, all eager to begin domestication and tutelage. Lloyd was a sensitive, delicate youth, with an acute power of a.n.a.lysis and considerable grasp of metaphysical ideas.

No connection ever began more amiably. He was, I might add, by only two days Lamb's junior.]

LETTER 12

CHARLES LAMB TO S. T. COLERIDGE Oct. 28th, 1796.

My dear Friend, I am not ignorant that to be a partaker of the Divine Nature is a phrase to be met with in Scripture: I am only apprehensive, lest we in these latter days, tinctured (some of us perhaps pretty deeply) with mystical notions and the pride of metaphysics, might be apt to affix to such phrases a meaning, which the primitive users of them, the simple fishermen of Galilee for instance, never intended to convey.

With that other part of your apology I am not quite so well satisfied.

You seem to me to have been straining your comparing faculties to bring together things infinitely distant and unlike; the feeble narrow-sphered operations of the human intellect and the everywhere diffused mind of Deity, the peerless wisdom of Jehovah. Even the expression appears to me inaccurate--portion of omnipresence--omnipresence is an attribute whose very essence is unlimitedness. How can omnipresence be affirmed of anything in part? But enough of this spirit of disputatiousness. Let us attend to the proper business of human life, and talk a little together respecting our domestic concerns. Do you continue to make me acquainted with what you were doing, and how soon you are likely to be settled once for all.

I have satisfaction in being able to bid you rejoice with me in my sister's continued reason and composedness of mind. Let us both be thankful for it. I continue to visit her very frequently, and the people of the house are vastly indulgent to her; she is likely to be as comfortably situated in all respects as those who pay twice or thrice the sum. They love her, and she loves them, and makes herself very useful to them. Benevolence sets out on her journey with a good heart, and puts a good face on it, but is apt to limp and grow feeble, unless she calls in the aid of self-interest by way of crutch. In Mary's case, as far as respects those she is with, 'tis well that these principles are so likely to co-operate. I am rather at a loss sometimes for books for her,--our reading is somewhat confined, and we have nearly exhausted our London library. She has her hands too full of work to read much, but a little she must read; for reading was her daily bread. Have you seen Bowles's new poem on "Hope?" What character does it bear? Has he exhausted his stores of tender plaintiveness? or is he the same in this last as in all his former pieces? The duties of the day call me off from this pleasant intercourse with my friend--so for the present adieu.

Now for the truant borrowing of a few minutes from business. Have you met with a new poem called the "Pursuits of Literature?" From the extracts in the "British Review" I judge it to be a very humorous thing; in particular I remember what I thought a very happy character of Dr.

Darwin's poetry. Among all your quaint readings did you ever light upon Walton's "Complete Angler"? I asked you the question once before; it breathes the very spirit of innocence, purity, and simplicity of heart; there are many choice old verses interspersed in it; it would sweeten a man's temper at any time to read it; it would Christianise every discordant angry pa.s.sion; pray make yourself acquainted with it. Have you made it up with Southey yet? Surely one of you two must have been a very silly fellow, and the other not much better, to fall out like boarding-school misses; kiss, shake hands, and make it up?

When will he be delivered of his new epic? _Madoc_ I think, is to be the name of it; though that is a name not familiar to my ears. What progress do you make in your hymns? What Review are you connected with? If with any, why do you delay to notice White's book? You are justly offended at its profaneness; but surely you have undervalued its _wit_, or you would have been more loud in its praises. Do not you think that in _Slender's_ death and madness there is most exquisite humour, mingled with tenderness, that is irresistible, truly Shakspearian? Be more full in your mention of it. Poor fellow, he has (very undeservedly) lost by it; nor do I see that it is likely ever to reimburse him the charge of printing, etc. Give it a lift, if you can. I suppose you know that Allen's wife is dead, and he, just situated as he was, never the better, as the worldly people say, for her death, her money with her children being taken off his hands. I am just now wondering whether you will ever come to town again, Coleridge; 'tis among the things I dare not hope, but can't help wis.h.i.+ng. For myself, I can live in the midst of town luxury and superfluity, and not long for them, and I can't see why your children might not hereafter do the same. Remember, you are not in Arcadia when you are in the west of England, and they may catch infection from the world without visiting the metropolis. But you seem to have set your heart upon this same cottage plan; and G.o.d prosper you in the experiment! I am at a loss for more to write about; so 'tis as well that I am arrived at the bottom of my paper.

G.o.d love you, Coleridge!--Our best loves and tenderest wishes await on you, your Sara, and your little one.

C. L.

[Bowles's poem was "Hope, an allegorical sketch on slowly recovering from sickness." See note on pages 78 and 79.

_The Pursuits of Literature_, was a literary satire in the form of dialogues in verse, garnished with very outspoken notes, by Thomas James Mathias (1754?-1835), which appeared between 1794 and 1797.

Southey had returned from Portugal in the summer, when the quarrel between Coleridge and himself revived; but about the time of Hartley's birth some kind of a reconciliation was patched up. _Madoc_, as it happened, was not published until 1805, although in its first form it was completed in 1797.

Writing to Charles Lloyd, sen., in December, 1796, Coleridge says that he gives his evenings to his engagements with the _Critical Review_ and _New Monthly Magazine_.

This is the pa.s.sage in Falstaff's Letters describing Blender's death:--

DAVY TO SHALLOW

Master Abram is dead, gone, your Wors.h.i.+p--dead! Master Abram! Oh! good your Wors.h.i.+p, a's gone.--A' never throve, since a' came from Windsor-- 'twas his death. I call'd him a rebel, your Wors.h.i.+p--but a' was all subject--a' was subject to any babe, as much as a King--a' turn'd, like as it were the latter end of a lover's lute--a' was all peace and resignment--a' took delight in nothing but his book of songs and sonnets--a' would go to the Stroud side under the large beech tree, and sing, till 'twas quite pity of our lives to mark him; for his chin grew as long as a muscle--Oh! a' sung his soul and body quite away--a' was lank as any greyhound, and had such a scent! I hid his love-songs among your Wors.h.i.+p's law-books; for I thought if a' could not get at them, it might be to his quiet; but a' snuff'd 'em out in a moment.--Good your Wors.h.i.+p, have the wise woman of Brentfort secured--Master Abram may have been conjured--Peter Simple says, a' never look'd up, after a' sent to the wise woman--Marry, a' was always given to look down afore his elders; a' might do it, a' was given to it--your Wors.h.i.+p knows it; but then 'twas peak and pert with him--a' was a man again, marry, in the turn of his heel.--A' died, your Wors.h.i.+p, just about one, at the crow of the c.o.c.k.--I thought how it was with him; for a' talk'd as quick, aye, marry, as glib as your Wors.h.i.+p; and a' smiled, and look'd at his own nose, and call'd "Sweet Ann Page." I ask'd him if a' would eat--so a'

bad us commend him to his Cousin Robert (a' never call'd your Wors.h.i.+p so before) and bade us get hot meat, for a' would not say nay to Ann again.[*]--But a' never liv'd to touch it--a' began all in a moment to sing "Lovers all, a Madrigal." 'Twas the only song Master Abram ever learnt out of book, and clean by heart, your Wors.h.i.+p--and so a' sung, and smiled, and look'd askew at his own nose, and sung, and sung on, till his breath waxed shorter, and shorter, and shorter, and a' fell into a struggle and died. I beseech your Wors.h.i.+p to think he was well tended--I look'd to him, your Wors.h.i.+p, late and soon, and crept at his heel all day long, an it had been any fallow dog--but I thought a' could never live, for a' did so sing, and then a' never drank with it--I knew 'twas a bad sign--yea, a' sung, your Wors.h.i.+p, marry, without drinking a drop.

[Footnote: Vide "Merry Wives of Windsor." Latter part of the 1st Scene, 1st Act.]]

LETTER 13

CHARLES LAMB TO S. T. COLERIDGE Nov. 8th, 1796.

My Brother, my Friend,--I am distrest for you, believe me I am; not so much for your painful, troublesome complaint, which, I trust, is only for a time, as for those anxieties which brought it on, and perhaps even now may be nursing its malignity. Tell me, dearest of my friends, is your mind at peace, or has anything, yet unknown to me, happened to give you fresh disquiet, and steal from you all the pleasant dreams of future rest? Are you still (I fear you are) far from being comfortably settled?

Would to G.o.d it were in my power to contribute towards the bringing of you into the haven where you would be! But you are too well skilled in the philosophy of consolation to need my humble tribute of advice; in pain and in sickness, and in all manner of disappointments, I trust you have that within you which shall speak peace to your mind. Make it, I entreat you, one of your puny comforts, that I feel for you, and share all your griefs with you. I feel as if I were troubling you about _little_ things; now I am going to resume the subject of our last two letters, but it may divert us both from unpleasanter feelings to make such matters, in a manner, of importance. Without further apology, then, it was not that I did not relish, that I did not in my heart thank you for, those little pictures of your feelings which you lately sent me, if I neglected to mention them. You may remember you had said much the same things before to me on the same subject in a former letter, and I considered those last verses as only the identical thoughts better clothed; either way (in prose or verse) such poetry must be welcome to me. I love them as I love the Confessions of Rousseau, and for the same reason: the same frankness, the same openness of heart, the same disclosure of all the most hidden and delicate affections of the mind: they make me proud to be thus esteemed worthy of the place of friend-confessor, brother-confessor, to a man like Coleridge. This last is, I acknowledge, language too high for friends.h.i.+p; but it is also, I declare, too sincere for flattery. Now, to put on stilts, and talk magnificently about trifles--I condescend, then, to your counsel, Coleridge, and allow my first Sonnet (sick to death am I to make mention of my sonnets, and I blush to be so taken up with them, indeed I do)--I allow it to run thus, "_Fairy Land_" &c. &c., as I [? you] last wrote it.

The Fragments I now send you I want printed to get rid of 'em; for, while they stick burr-like to my memory, they tempt me to go on with the idle trade of versifying, which I long--most sincerely I speak it--I long to leave off, for it is unprofitable to my soul; I feel it is; and these questions about words, and debates about alterations, take me off, I am conscious, from the properer business of _my_ life. Take my sonnets once for all, and do not propose any re-amendments, or mention them again in any shape to me, I charge you. I blush that my mind can consider them as things of any worth. And pray admit or reject these fragments, as you like or dislike them, without ceremony. Call 'em Sketches, Fragments, or what you will, but do not ent.i.tle any of my _things_ Love Sonnets, as I told you to call 'em; 'twill only make me look little in my own eyes; for it is a pa.s.sion of which I retain _nothing_; 'twas a weakness, concerning which I may say, in the words of Petrarch (whose life is now open before me), "if it drew me out of some vices, it also prevented the growth of many virtues, filling me with the love of the creature rather than the Creator, which is the death of the soul." Thank G.o.d, the folly has left me for ever; not even a review of my love verses renews one wayward wish in me; and if I am at all solicitous to trim 'em out in their best apparel, it is because they are to make their appearance in good company. Now to my fragments. Lest you have lost my Grandame, she shall be one. 'Tis among the few verses I ever wrote (that to Mary is another) which profit me in the recollection. G.o.d love her,--and may we two never love each other less!

These, Coleridge, are the few sketches I have thought worth preserving; how will they relish thus detached? Will you reject all or any of them?

They are thine: do whatsoever thou listest with them. My eyes ache with writing long and late, and I wax wondrous sleepy; G.o.d bless you and yours, me and mine! Good night.

C. LAMB.

I will keep my eyes open reluctantly a minute longer to tell you, that I love you for those simple, tender, heart-flowing lines with which you conclude your last, and in my eyes best, sonnet (so you call 'em),

"So, for the mother's sake, the child was dear, And dearer was the mother for the child."

Cultivate simplicity, Coleridge, or rather, I should say, banish elaborateness; for simplicity springs spontaneous from the heart, and carries into daylight its own modest buds and genuine, sweet, and clear flowers of expression. I allow no hot-beds in the gardens of Parna.s.sus.

I am unwilling to go to bed, and leave my sheet unfilled (a good piece of night-work for an idle body like me), so will finish with begging you to send me the earliest account of your complaint, its progress, or (as I hope to G.o.d you will be able to send me) the tale of your recovery, or at least amendment. My tenderest remembrances to your Sara.--

Once more good night.

[Coleridge, on November 2, had begun to suffer from his lifelong enemy, neuralgia, the result largely of worry concerning his future, so many of his projects having broken down. He was subduing it with laudanum--the beginning of that fatal habit.

We do not know what were the verses which Coleridge had sent Lamb, possibly the three sonnets on the birth of Hartley, the third of which is referred to below.

Lamb's decision in September to say or hear no more of his own poetry here breaks down. The reference to the Fairy Land sonnet is only partially explained by the parallel version which I printed on page 25; for "Fairy Land" was Coleridge's version. Either Lamb had made a new version, subst.i.tuting "Fairy Land" for "Faery," or he wrote, "I allow it to run thus: Fairy Land, &c., &c., as _you_ last wrote it." When reprinted, however, it ran as Lamb originally wished. The other fragments were those afterwards included in Coleridge's _Poems_, second edition, 1797.

"Love Sonnets." Lamb changed his mind again on this subject, and yet again.

Coleridge's last of the three sonnets on the birth of Hartley was ent.i.tled "Sonnet to a Friend [Charles Lloyd] who asked how I felt when the Nurse first presented my Infant to me." It closed with the lines which Lamb copies.]